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Ealy Mays : ウィキペディア英語版
Ealy Mays

Ealy Mays (born January 15, 1959) is a Paris-based African-American contemporary artist. His work has been exhibited in Mexico’s Galeria Clava, Paris’ Carrousel du Louvre, Mexico’s annual José Clemente Orozco Art competition, and New York’s Guggenheim museum, to name a few. Legendary painter Henry O. Tanner was the first African American to exhibit at the Louvre in 1897. Mays’ 2005 “Migration of the Superheroes” exhibition at the Carrousel du Louvre makes him one of the few African-American artists to date to follow Tanner’s footsteps to the Louvre.〔(The Artist Showcase, Winter 2012 Art Basel edition; Profiled Artist: Ealy Mays ), pp. 100–101.〕
Mays counts Jacob Lawrence, Jackson Pollock, Maxfield Parrish, Diego Rivera, José Clemente Orozco, Rufino Tamayo, Herbert Gentry, Edward Clark (artist), and Franz Kline as mentors. Residing in Paris for the last 15 years, he is a permanent recurring resident at Cité Internationale des Arts in Paris (), and an alumnus of the Skowhegan School of Painting and Sculpture in Maine.
==Background==
In a September 1996 ''Dayton Daily News'' article on Ealy Mays, "A Pure Painter", writer Kathy Whyde Jesse〔(''Dayton Daily News'', "A Pure Painter - Med Student Quietly Impresses Art World With His Natural Talent". )〕 profiled the then 37-year-old local Daytonian and Fairview High School graduate who was a medical school student and a recipient of the "Camille Cosby Fellowship for American Artists of African Descent", on completion of his fellowship at the Skowhegan School of Painting and Sculpture in Maine, while on a sabbatical from medical school in Mexico. Mays discussed, among other things, the influence of Maxfield Parrish on his work and his affection for legendary African-American artist Jacob Lawrence, who inspired him to apply to the Skowhegan program. According to Mays, Jacob Lawrence, returned the affection by telling him that he, Mays, was a "pure painter".

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